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共61题，约18680字。
　　山西大学附中
　　2018～2019学年高二第一学期12月（总第四次）模块诊断
　　英语试题
　　考试时间：100分钟满分：150分
　　第二部分阅读理解（共两节，满分60分）
　　第一节（共10小题；每小题3分，满分45分）
　　阅读下列短文，从每题所给的A、B、C和D四个选项中，选出最佳选项，并在答题卡上将该项涂黑。
　　A
　　THEATRE
　　City Varieties
　　The Headrow, Leeds. Tel. 430808
　　Oct. 10-11 only A Night at the Varieties. All the fun of an old music hall with Barry Cryer, Duggle Brown, 6 dancers, Mystina, Jon Barker, Anne Duval and the Tony Harrison Trio. Laugh again at the old jokes and listen to your favourite songs.
　　Performances: 8 pm nightly.     
　　Admission: ￡5; under 16 or over 60:￡4.
　　York Theatre Royal
　　St Leonard’s Place, York. Tel. 223568
　　Sept. 23—Oct. 17  Groping for Words—a comedy by Sue Townsend, best known for her Adrian Mole Diaries. Townsend now writes about an evening class which two men and a woman attend. A gentle comedy.
　　Admission: First night, Mon.:￡2; Tues.-Fri.:￡3.25~5.50; Sat.:￡3.50~5.75.
　　Halifax Playhouse
　　King’s Cross Street, Halifax. Tel. 365998
　　Oct. 10-17 On Golden Pond by Ernest Thompson. This is a magical comedy about real people. A beautifully produced, well-acted play for everyone. Don’t miss it.
　　Performances: 7:30 pm.   
　　Admission: ￡2. Mon.; 2 seats for the price of one.
　　Grand Theatre
　　Oxford Street, Leeds. Tel. 502116
　　Restaurant and Cafe.
　　Oct. 1-17 The Secret Diary of Adrian Mole, Aged 13. Sue Townsend’s musical play, based on her best-selling book.
　　Performances: Evenings 7:45. Oct. 10-17, at 2:30 pm. No Monday performances.
　　Admission: Tues.—Thurs.:￡2-5; Fri. & Sat.:￡2-6.
　　1. Which theatre offers the cheapest seat?
　　A. Halifax Playhouse.               B. City Varieties.   
　　C. Grand Theatre.                    D. York Theatre Royal.
　　2. If you want to see a play with old jokes and songs, which phone number will you ring to book a seat?
　　A. 502116 B. 223568 C. 365998 D. 430808
　　3. We may learn from the text that Sue Townsend is ______.
　　A. a writer B. an actress C. a musician D. a director
　　B
　　In 1947 a group of famous people from the art world headed by an Austrian conductor decided to hold an international festival of music, dance and theater in Edinburgh. The idea was to reunite Europe after the Second World War.
　　At the same time, the “Fringe”appeared as a challenge to the official festival. Eight theatre groups turned up uninvited in 1947, in the belief that everyone should have the right to perform, and they did so in a public house disused for years.
　　Soon, groups of students firstly from Edinburgh University, and later from the universities of Oxford and Cambridge, Durham and Birmingham were making the journey to the Scottish capital each summer to perform theater by little-known writers of plays in small church halls to the people of Edinburgh.